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May. 5th, 2023

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Oct. 16th, 2022

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sail information sheet

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Aug. 24th, 2022

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and all the angers that they hid inside your chest

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Aug. 18th, 2022

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come sail away cr chart

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JOHNNY SUMMER
Dropping the formalities
Johnny's a member of the Lavender League, Crabb's landlord and, now, her absolute dearest friend. Being on the ship changed the context of their relationship and they've grown to be much closer than they were at home because of it. They've seen each other far more vulnerable than either is used to, talked more about their shared trauma with the Black Note, and are figuring out how to navigate the new world and culture they've found themselves in. Crabb trusts Johnny implicitly, with everything from her drinks to her problems to the things she's embarrassed about to watching her back. It's just the two of them from their world, after all. If they can't rely on each other, then what can they do? He's family, and she loves him in his own way.
ERIN PETERS
Why is it hot that she could kill me
Crabb loves Erin more than she even knows how to say. Things between them moved so much faster than she ever expected, but she can't imagine what her life on the boat would be like without her anymore—Hell, she doesn't even want to imagine. Erin is consistently there to support her, looking out for her even when Crabb isn't doing so great at looking out for herself, trying to boost her admittedly shaky self-esteem and encouraging her to be herself. The only thing Crabb wishes is that she could figure out how to do more to help Erin in return. She can't seem to get over the idea that she'll never be Good Enough, after everything she did, and that she has to go to extreme lengths to compensate, and it worries Crabb. But she'll stick by her, no matter what, and no version of her future feels complete without Erin in it.
JOHN WATSON
THE GOOD DOCTOR
Watson is one of the first people she met on board and one of Johnny's boys. Early on she made him a promise to watch out for both Johnny and César when he couldn't and she's took that to heart, but Watson himself is as much in the circle that she considers her people as they are, and thus as much under her personal purview of protection. She's intensely angry on his behalf that Daisy used her face to talk about vulnerable things with him entirely to keep up an act, more so than perhaps he is, and he's become one of the people she's told about Cragen as a result. ...it's still weirdly reassuring every time someone gets as angry at him as she does, the way Watson did.
César Salazar
Another mad scientist type
Why is Johnny's type mad science boys? Seriously? Anyway, César's a good guy. He's become her go-to for wrapping her head around all this new-fangled modern technology that's so unfamiliar to her, seeing as he's always been very helpful without making her feel stupid, even if he sometimes chooses to blow her mind a bit too much (moon landing on her first day, César please). She even has him to thank for some of the language Johnny's passed onto her since she arrived. He's an interesting bloke to talk to and she enjoys helping him out in turn, where she can, including trying to keep him on top of his self-defence skills. He is firmly one of her people just as much as his boys are.
MURDERBOT
Launching awkward.exe
Crabb doesn't know what to do half the time with Murderbot. It shot her during their Battle Royale and they've never quite gotten past the ripple effects. She carries around knowledge of it's name like a stone in her shoe that she couldn't shake if she tried, knowing it shared it with the intention of making her think of it a certain way that she still doesn't. Even now. Especially now. Murderbot is as traumatised as the rest of them, in ways Crabb can hardly even comprehend. Despite her constantly putting her foot in her mouth with it, she doesn't hold anything against it. She just doesn't know how to talk to it without fearing she'll cause additional harm, though she's made a promise to try and start over.
"PETER SMITH" (Prisoner 6)
Government work, huh
Crabb's impression of Smith has changed a lot over their time on the boat. From a decent first impression, to a wrench in the works in the form of old biases, to a mutual respect and finally a serious friendship that contains a fair amount of trust. They seem to hold similar opinions on working for your government and how they can screw you over, and he has a good head on his shoulders that's helped mediating some situations Crabb's honestly not sure she's equipped to handle on her own. He knows about Cragen and he's told her a little about the village, and they've taken their turns calling the other out on their internal hypocrisies when it comes to handling their own issues. They have both been shaken, but they haven't been broken. They just both need to remember to lean on others.
Cassandra De Rolo
Another not so insufferable aristocrat
Crabb first talked to Cassandra because Erin's sweet on her, too, and truth be told that's where a lot of their interaction has settled so far: around Erin. That Cassandra cares about her and won't let her throw herself to the wolves any more than Crabb will earns her good favour, but her impression of Cassandra outside of Erin is still a solid one. Her aristocratic flavouring shows but she's rating a lot closer to Bastrop and Johnny right now than the kinds of swells Crabb has it out for. They may not know a lot about each other's histories, yet, but Crabb's long since taken her into the circle of folks she considers hers to watch out for.
Daisy Tonner
Possession leaves a bad impression
Crabb and Daisy are not on speaking terms and never will be. Daisy was the ghost that ended up possessing Crabb's body for the majority of October, using tricks that Crabb abhors to keep up her act and trying to hurt her friends by the end of it. Now she's back, Crabb hasn't an ounce of good will to extend her. Erin seems to think there's something to her and, logically, Crabb knows that maybe she's right, but emotionally, she's just not capable of going there. So, the agreement is they don't bother each other. Daisy would probably kill her if she tried to fight her, anyway...
SKULDUGGERY PLEASANT
Bearer of double-edged knowledge
A fellow detective, Skulduggery has been a great person to bounce thoughts off about their situation and in general. Talking to him long enough tends to come with some sort of bomb drop that makes her regret who she is as a person, but she'll never actually stop asking him to tell her anyway, because of who she is as a person. She's not totally sure what to make of the relationship he has with the Captain, even outside of the strange sensation of having her own history reflected back at her face that it first brought up, but so long as his priorities seem to be on keeping everyone on the boat as close to safe and sane as reasonably possible for as long as possible... he's earned a fair amount of trust, and it hasn't actually gone away.
AVA STARR
What's a little murder between friends
So the first time they met Ava literally crushed her heart inside her chest, but Crabb's kind of not holding it against her. No one really won during the Battle Royale, and it was probably as quick of a death as she could hope for. Traumatising, but quick. They haven't talked that much since then, and Crabb was little worried that the whole mess with Erin was going to throw a wrench in the works, but they seem to still be able to get on alright. Even if they are two rather socially struggling people who don't always know how to hold a real conversation.
Valdis
First impressions aren't everything
Crabb still isn't always sure what to make of Valdis. Their first meeting was intensely awkward for Crabb and Valdis's love of prodding people still gets under her skin when it happens, but they seem to have come around to a friendship with a decent amount of mutual respect. Which is a good thing, considering how she seems to have become another of Erin's partners for real now. She does wish she was a little less inscrutable sometimes, but at least now she doesn't feel like Valdis is a total brick wall just messing with her for her own entertainment.
Ylva
Misfits ain't so bad
Crabb doesn't know her terribly well yet, but Ylva still seems like a sweet woman. Wolf. Both. They're both tired of people trying to make them live up to some standard of normal that neither really fits, in their own ways, and it's nice to know that someone only expects you to be yourself with no other baggage. Crabb would like to continue getting to know her better.
© TESSISAMESS

Apr. 21st, 2022

pointofhonoria: (season 3; tongue out)
pointofhonoria: (season 3; tongue out)

permissions

pointofhonoria: (season 3; tongue out)
PLAYER

NAME: Blue
CONTACT: [plurk.com profile] bluecitrine / in the game discord
ACTIVE TIMES/PACE:UK (BST), but I stay up stupid late; speed varies from boomeranging to a few days most of the time.
BRACKETS/PROSE: Either depending on partner and what I’m feeling. Will match.
OFFENSIVE SUBJECTS & TRIGGERS: Nothing to outright avoid, but warnings for anything relating to death by cancer would be appreciated.

IN CHARACTER

PHYSICAL AFFECTION: Not actually the touchiest person by default, but not outright opposed either, you'll have better odds with adequate friendship.
PHYSICAL VIOLENCE: Let’s talk. Crabb's a strong but mundane human, but she's also experienced in a scrap and willing to throw down to defend herself. Always open to spars, though.
RELATIONSHIPS: Let’s talk, theoretically open. Has baggage up the wazoo about relationships. In Sail, she's officially dating Erin and has something building with others, but she's poly and bisexual.
PSYCHIC & PSIONIC INFORMATION: No powers, no defences.
MAGICAL INFORMATION: No magic, no defences.
MEDICAL INFORMATION: Generally healthy, though really she’s taken far too many cracks to the head in the last few years. Various scars around from various cuts and scrapes she’s had, including the signature one on her forehead.
OFFENSIVE SUBJECTS & TRIGGERS: Nothing major I don’t think.

OUT OF CHARACTER

BACKTAGGING: I’ll generally backtag as long as someone else is willing, don’t begrudge dropping older threads though either.
THREADHOPPING: Ask first.
FOURTHWALLING: Ask first, probably not though.
NOT INTERESTED IN:

FIRST IMPRESSIONS

VISUAL: Slightly above average height black woman with short, dark brown afro hair with a fade, with eyes that have been described like 'river stones'. Not slender, but her actual muscle isn’t obvious in clothes. Scar on her face where she took a knife to the forehead and one across the bridge of her nose. Butch clothing choices through and through, always practical. Looks good in teals.
AURAL: Technically has the lilt of a Gallerian accent, which is from somewhere in the French/Swiss/Italian region, but you really wouldn’t go wrong imagining her sounding like a kinda cockney rough and tumble woman from a British period/cop drama going by her word choices. Expressive.
DEMEANOUR: Crabb is crabby, but it’s not necessarily directed at anyone she’s just a scrappy soul with limited reserves of true chill. She’s very expressive unless she’s trying not to be, especially facially but also lots of gesturing. Can be almost comically reactive to things, sometimes.

☆ code by kimmiserate

Apr. 12th, 2022

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come sail away app

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PLAYER
Name: Blue
Age: 25+
Contact: [plurk.com profile] bluecitrine
Permission Post: Here
Reserve: N/A

CHARACTER
Name: Honoria Crabb
True Name: Honoria Crabb
Canon: Lavender Jack (Season 3 Act 2, episode 103; the day after the attack on the Margrave Building by an undead fake Lavender Jack sent to attack the Lavender League, Crabb and Ferrier having just been told it’s Lord Hawthorne back from the dead somehow.)
Age: 33
History: I'm so sorry there's no wiki for this one.

Honoria Crabb is from the early 1900s in an alternate history Earth, specifically the small city-state of Gallery, situated "somewhere between France, Italy and Switzerland", with some sci-fi flavour. We know next to nothing about Crabb's youth, but it can be assumed she grew up in Gallery as her parents Paulo and Christine still live in the city-state, and that her family was poor but not destitute. She started working as a police officer at around 19 and climbed ranks at a seemingly normal pace up until she foiled an assassination attempt on the Lord Mayor by getting between him and his assailant. In doing so, she earned not just a scar on her forehead from his knife, but the mayor's favour, and she was propelled from Constable to Chief Inspector. She spent the next four years doing her duty to her city, until Lavender Jack emerged and things took a turn.

Lavender Jack emerged on the scene by exposing six high society members as being duplicitous, corrupt and generally morally lacking by stealing and leaking their private documents. Crabb and her officers failed to capture him and the mayor called in Madame Theresa Ferrier, world-class detective, to figure out his identity and track him down. Crabb was not happy, but did her job anyway, and over the next few months they pieced together the puzzle of Lavender Jack's identity and motives. They started off with every intention of capturing Lavender Jack, but when they found him they ended up assisting him as, over the course of their investigation, the murders of his previous targets combined with emerging information about a shady investment company revealed that he was not the villain in this story—the elusive Lady and Lord Hawthorne, and associates, were. Crabb learned to recognise that doing the right thing is not always the legal thing, and together as a group they managed to expose Lady Hawthorne, kill Lord Hawthorne, and otherwise bring some amount of justice. At a cost, as Chief Justice Gall—himself associated with some shady elements of Gallery's high society—ended up in power in the aftermath.

Ferrier left Gallery, and Crabb continued to cooperate with Lavender Jack (otherwise known as Lord Bastrop and his partner in crime, Ducky) whilst trying not to get in too deep, which she failed at spectacularly. Before long she, Ducky and Bastrop were essentially operating as the 3-person team behind Lavender Jack after a new villain emerged: the mysterious Black Note, who had all of Lavender Jack's dramatics but less of his morals. All this over the top of an ongoing and very corrupt mayoral election. Crabb gets into all sorts of trouble whilst they chase down this mystery, lowkey falls in love with a man called Tom Broadfoot that turns out not to be Tom at all and in fact is the Black Note, grows more and more into her roll as a detective, and after they figure it all out and minimise the damage done, she quits the police force.

As Bastrop and Ducky are forced to flee the country, she and Ferrier stay behind and set up a detective agency running out of the Margrave Building owned by one Johnny Summer. War breaks out outside Gallery's borders and within two years Gall, now backed up by Lady Hawthorne who he sprung from prison to deal with the looming threat of his secret fraternity's meddling, is dragging Gallery into the war, too. Crabb and Ferrier are employed to find a missing journalist who was trying to find out about a secret military project and do, right as Bastrop and Ducky return after also hearing news of things turning dire in Gallery. And things are dire. There's an undead Lord Hawthorne masquerading as Lavender Jack, a shady and destructive military project called Postscript, and so much more happening.

Powers/Abilities: Crabb's a normal human person with no special abilities to speak of, but she is both experienced at hand-to-hand (often with multiple opponents) and tenacious enough to fight people far bigger than her, plus a decent shot with a revolver and an old-school rifle. She's growing into her intelligence and deductive skills more and more by the day, becoming quite the detective. She also has very basic field medicine skills in that she can and will clean her own wound with alcohol and bandage it with her own torn clothes if she has nothing else to hand.

Inventory: She's wearing a white button-up shirt, a black tie, suspenders holding up brown trousers, knee-high brown boots and a pair of gloves, plus a very private-detective looking brown trench coat. She's got an envelope with a Nightjar printed on it in her inside pocket, and in her other pockets there's a revolver with 5 bullets; a notepad and a pencil; some very crumpled bandaging and a small bottle of vodka that she literally only has on her as an emergency wound cleaner; and a couple smelling salts.

Job History:
Constable, Gallery Police -
- Flatfooting, aka basic patrol work.
- Protective detail at political events. Saving the mayor from a knife to the back.
- Arresting those implicated in crimes and processing their charges.

Chief Inspector, Gallery Police -
- Overseeing the activities of other, lower ranked officers and assigning them duties.
- Overseeing and organising protective detail at political events.
- Investigating major crimes, e.g. the Lavender Jack problem.
- Arresting those implicated in crimes and gathering evidence, talking to witnesses, etc.
- (Begrudgingly) investigating her boss's political opponents.

Member of the 'Lavender League' -
- Getting into fist fights with various fighters hired by members of Gallerian high society to interfere with her.
- Assisting Lavender Jack by sneaking around and being the feet on the ground that can get into the nitty gritty of things without being suspicious, and (whilst still employed as an officer) get into police records, locations, etc.
- Generally investigating the activities of suspicious parties related to Lavender Jack's latest mystery.
- Occasionally calling Bastrop and/or Ducky out in ways others might not.

Private Detective -
- Investigating matters brought to them by members of Gallerian society that can't turn to the police (missing people possibly killed by the state, proving implicated people's innocence, etc.)
- Talking to prospective clients and proving her skills in a short time.
- Talking to witnesses, gathering the kind of evidence the police can't or gathering evidence before the police can.

Suppressions:
- Crabb once responded to someone describing having a well of righteous anger that he tries to suppress but often fails by saying he 'mostly just sounds like her'.
- She also has an insatiable desire to know the truth at the core of every mystery; these days, she chases this far more often than she doesn't, and it took her a while to get the patience to properly investigate such things.
- Her biggest fears are being underground, in the dark, or alone, but on more than one occasion she's suppressed these when the situation calls for it. Mostly in service of the above.
- There's some complicated feelings there about what she began to feel towards the idea of Tom Broadfoot, two years out and knowing what she does it's mostly something she's past, but there were implied to be months where that relationship was building and finding out the truth knocked her for quite the spin.
- There is always a chance that one day she really might get in over her head when no one's around to save her, and somewhere she knows this, but she's not let it stop her so far.

Greatest Fear: That she'll fail her people and fail her city, by fumbling or simply not managing to do what needs to be done to save them and it from the corruption the Lavender League are trying to root out.

Greatest Desire: To figure out the root of the mysteries still plaguing and corrupting Gallery, to put all those pieces together and do something about it with as few people getting hurt in the process as possible.

Greatest Regret: Falling for the act of/starting to actually fall for 'Tom Broadfoot' (aka Cecil Cragen aka the Black Note) and not seeing through the act sooner, meaning he was allowed to go undiscovered for far longer and far more lives were lost than if she'd figured out something was fishy from the beginning.

Sample:
TDM thread

Nov. 1st, 2021

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HMD

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